I was a very mature journalist sent to review the play. Then there was me, in a row all by myself, right in the front. The all-too-eager girlfriends and their boyfriends who wriggled like fish when they realized how close to the front they were. They were there for birthday and bachelorette parties or to catcall the guys on stage. First and foremost there were groups of women. This may not seem like a problem until you realized there were three types of audience members. Right.Īdded to this, I was the only person in my row for quite some time. Loux,” he said, “We moved you all the way to the front with the cushioned seats.” Row BB, seat 106. I was hoping to silently observe from the back. But in the name of journalism, I screwed my courage to the sticking place and got over to the Copley Theatre, only to realize the pain had hardly begun. Australian pair Dan Lewry and Simon Morley (one of the creators) come out with capes, ditch the capes, and contort their penis, testicles, and scrotum into odd-looking figures. Puppetry of the Penis is literally what it sounds like.
A show whose title warns of full-frontal male nudity probably should send such chills down most people’s spines. That was the sentiment I got from pretty much everybody. “Don’t ever eat with us again,” came the response. It’s basically these comedians who make people laugh by playing with their penises in public. Tonight, for the Arts section, I’m going to see a show called Puppetry of the Penis. Guys,” I said, “I just wanna tell you this. THEATER REVIEW Hoopla of the Helmeted Soldier From the Shower to Center Stage, Puppetry of the Penis is Raunchy Fun By Brian Loux
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